Reviews : Orlovsky in Fledermaus
« Overall homogeneous and of high quality, the stage was however largely dominated by the…
Reviews
Reviews : Nicklausse (Hoffman Tales, Liceu Barcelona)
https://www.codalario.com/critica/criticas/critica-los-cuentos-de-hoffmann-de-offenbach-en-el-teatro-del-liceo-de-barcelona_9630_5_30109_0_1_in.html “mezzo-soprano Marina Viotti was the sensation of the night. As usual, while Nicklausse, Viotti…
La Voix Humaine (Gulbenkian, Lorenzo Viotti, Vincent Huguet)
“Marina Viotti lives her character with rare intensity. We know the singer’s eclecticism, as at…
Reviews : Stephano in Teatro alla Scala
“Marina Viotti is increasingly asserting herself as an exceptional talent (after notably her Rosina and…
Review : Grande Duchesse de Gerolstein, Luzerner Theater
https://www.luzernerzeitung.ch/kultur/revolte-in-der-konigsloge-ld.1111052 Heaven and hell pass through Marina Viotti in the emotionally exposed, sadly primed title…
Reviews CD “Aureliano in Palmira” – Naxos
The jewel of this cast is Marina Viotti as Arsace. Her musical intelligence is one…
Feodor in Boris Godunov at Opéra des Nations
“Feodor is Marina Viotti, particularly welcome, fresh, lively, which perfectly renders the character, caught between…
– Reviews – Rosina début, Barbiere di Siviglia (Rossini) Opéra du Rhin
Some reviews of my debut as Rosina. Lucky me to have had the…
Olga in Onegin at Opéra National du Rhin (FR)
cover photo : Klara Beck “The warm and very personal vocal color, with copperly…
Reviews from Dame Marthe in Faust at Opéra des Nations
Le Monde : Second rôle également, et tout aussi convaincant, sinon plus, la Marthe de…
Mezzo soprano. Marina was born in Switzerland, her parents both being musicians, and grew up in France. Curious by nature, she did not only study classical music (flute), but also explored jazz, metal or chanson.
Marina is represented by Hilbert Artist Management (krause@hilbert.de)