Reviews : Orlovsky in Fledermaus

« Overall homogeneous and of high quality, the stage was however largely dominated by the incandescent Orlofsky by Marina Viotti : The copper colors of the insolently beautiful and perfectly projected voice of the mezzo-soprano, mixed with her theatrical performance captivated the audience. Marina Viotti even revealed her talents as a conductor by dislodging Marc Minkowski at the start of the Russian Dance »

https://www.forumopera.com/spectacle/strauss-ii-die-fledermaus-paris-tce/

 

« Marina Viotti (Orlofsky), definitely at home in this theater, served by her tall stature and her generous mezzo timbre, masterfully portrayed the jaded and pleasure-seeking dandy«

 

https://www.premiereloge-opera.com/article/compte-rendu/concert/2023/12/14/chauve-souris-tce-critique-jacquelyn-stucker-marina-viotti-alina-wunderlin-magnus-dietrich-leon-kosavic-christoph-filler-michael-kraus-francois-piolino-megan-moore-marc-minkowski/

 

« Finally, we can only salute Marina Viotti’s performance as Prince Orlofsky, who does not need to force an organ of beautiful fullness nor an undeniable comic talent »

https://bachtrack.com/fr_FR/critique-la-chauve-souris-minkowski-gilbert-musiciens-du-louvre-theatre-des-champs-elysees-paris-decembre-2023

 

« The slaughter of the French mezzo Marina Viotti (Orlofsky) gives the disguised figure of the young prince who came back from everything before having experienced anything, a robust health with curiously southern colors.«

https://www.crescendo-magazine.be/scintillante-et-fraternelle-fledermaus-a-paris/