Olga in Onegin at Opéra National du Rhin (FR)
cover photo : Klara Beck
“The warm and very personal vocal color, with copperly lows, never excessively “chested”, from the excellent Marina Viotti”
“With her deep lows and the warmth of her voice color, Marina Viotti seizes the role of Olga with happiness”
The beautiful swiss singer Marina Viotti – already noticed as Dame Marthe in Geneva in February – gives Olga her rich and warm tone
“Another young singer of the cast is the mezzo-soprano Marina Viotti, whose warm voice is a balm”
Marina Viotti’s Olga is very playful and flirtatious, with a very healthy and well-mastered voice”
The superb Olga from Marina Viotti
https://www.diapasonmag.fr/actualite/critiques/opera-du-rhin-le-spleen-d-oneguine-28445
Marina Viotti masters the role with tact and humility, both bright and simple
https://www.webtheatre.fr/Eugene-Oneguine-de-Piotr-Ilitch-6193
In the west europe camp, the swiss singer Marina Viotti is a beautiful Olga, whose voice keeps a pleasant lightness even in the low register
https://www.forumopera.com/eugene-oneguine-strasbourg-le-coeur-est-un-ballon-solitaire
Olga is a darker and much more ambivalent character, thanks to the beautiful lows of Marina Viotti
“Marina Viotti sings Olga with a full mezzo voice”
http://www.badische-zeitung.de/klassik-2/eugen-onegin-tatjana-auf-dem-buecherhaufen–153708298.html
Mezzo soprano. Marina was born in Switzerland, her parents both being musicians, and grew up in France. Curious by nature, she did not only study classical music (flute), but also explored jazz, metal or chanson.
Marina is represented by Hilbert Artist Management (krause@hilbert.de)